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Normally, Director and Producer hunt for heros. They recite the story and get consent. This rule is not applicable to Pawan Kalyan. Producers work is limited to get Pawan’s call sheets only. Direction, story and co-artists selection is in Pawan’s hands only.
Producer’s role is just to distribute money whenever required and to who ever Pawan directs to. The same happened during Gabbar Singh making. Attarintiki Daredi Sets also witnessed the same. Gabbar Singh-2 making also is going in the same formula. PVP organisation is also the same. How far is the formula safe? Who is going to benefit? Is it a correct formula? Many questions are floating around in film circles.
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Our TFI is a Hero centric one. If every hero tries to follow the same formula, there would be no value for Director and Producer. Some opine that for getting good quality films, this formula will work out because Hero better understands the story he wants & how he can satisfy his fans. He can select the story as per his weaknesses and strength. Then we can see arrival of minimum guarantee movies. Some feel that a star of Pawan’s magnitude is quite capable of executing this formula. All the team members will strive hard for Pawan Kalyan’s movie. Pawan Kalyan Fans rejoice in seeing their hero as a decision maker.
Till the time it works out its OK. When it flops, then only it matters. Some fans also opine that over confidence will not always be successful and Pawan should rely on story lines by Pawan crazy directors.
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